Collections

The Sylph collection is a celebration of physicality, freedom of expression, and a conscious relationship with one's own body. Original knits, gradient patterns, and illusions of nudity emphasize the energy of the silhouette, comfort, and harmony between body and mind, while the characteristic paper pinwheel motif symbolizes transformation and inner freedom. The collection combines knits with taffeta, leather, and organza, featuring tops, dresses, skirts, and accessories in an intense color palette.

1-3
Photo Magdalena Michalak

Model Julia / Golden Models

Hmua Maja Tumaniec

4-15
Photo Jarosław Darnowski

The collection was created based on an analysis of the designer's family photographs and her childhood memories, and tells a story of longing for carefree days and home intimacy. The designs refer to the aesthetics of her parents' and grandparents' homes - old bedspreads, tablecloths, wallpaper, upholstery, and floral market bags - creating an emotional journey through time. The collection combines chaotic fragments of memory into a coherent visual narrative, using recycled fabrics and owned materials.

Forget me not dresses, suits, coats, jackets, and skirts are combined with printed jumpsuits and hats, as well as hybrid forms of clothing with interior design elements such as armchairs, tables, pillows, and quilts.

Photo Lucy Szulińska

Model Daria / DK Models

Style Maja Bączyńska

Hmua Karolina Pawluk

The collection is based on Stanley Kubrick's film “The Shining.” The designer was inspired by the main themes of the film, its structure, frame composition, color scheme, music, and the emotions it evokes. The designs refer to the study of madness, family breakdown, and communication, while also serving as a metaphor for the danger present in the film. These references are visible in the construction of the garments, prints, embroidery, and appliqués. The collection builds narrative and tension through escalating forms and a gradually developing palette of red, which initially appears as an accent, only to dominate the entire silhouette over time.

The collection features shirts, dresses, and pants, loose jackets and coats, as well as items that are difficult to categorize. These are complemented by knitwear, which appears not only in the form of sweaters, but also bodysuits, jumpsuits, and dresses.

The designs are decorated with ruffles, layers of tulle, and a slit detailing. In addition to shades of red, there are golden beiges, shades of pink, copper, brown, and orange.

Photo Michał Polak
Style Maja Bączyńska
Make up Natalia Makowska
Hair Piotr Aleksander 
Retouch Janek Kwiatkowski
Stylist assistant Marcin Kosakowski
Models Nina / Gaga Models & Lena / Rebel Models 
Editor Elie Dubois

Void is a collection inspired by Jung's shadow theory, exploring repressed aspects of personality, internal conflict, and the relationship between humans and their own subconscious. The designs play with themes of restraint, concealment, and weight, using ruffles, oversized eyelets, chains, cords, and pleats. The collection is genderless, focusing on the essence of humanity rather than the division between women's and men's fashion. Void is introspective, conceptual fashion that is a visual story about shadow, shame, and tension hidden in the body.

Photo Paweł Kocan

Art Direction Marta Wajszczyk / Move-Picture

Movement Direction Agnieszka Konopka

Models Ewelina / D’VISION & Kacper / AMQ Models

Make-up Katarzyna Biały

Hair Oliwia Otrębska / Fryzjernia B&S

A collection inspired by glitch aesthetics and the transition from the analog to the digital era in the 1990s. Distortion is the key design idea, visible in asymmetrical constructions, distorted proportions, oversized details, and seemingly random placement of elements. The collection combines a functional, casual character with contrasting materials - from delicate organza to heavy leather and fur - and original prints created by interfering in the source codes of files. The collection interprets glitch as a creative transformation in modern, conceptual fashion.